Photo by Chuck Morse

     

     

 

 

World Folk Music Association Review: "...Listening to 'Bright Paintings' is like running into a longtime friend unexpectedly..."

The Washington Post said of Doris Justis "...she's a sensitive interpreter whose attractive soprano never fails to bring warmth and luster to her material..."

Gee, you think you've got a singer all figured out and then she comes along with a whole new approach.

Doris teams with jazz guitarist Pete Marinovich for a dozen songs, many of them favorite covers from Doris's extensive experience as a vocalist.

In a style all their own, contemplative and, at times, surprising, the duo strolls through the history of pop music, opening with a lush [Springsteen] chesnut, "Dancing in the Dark," later lingering with the classic 1939 "Somewhere Over the Rainbow" by Harold Arlen, Lennon and McCartney's 1965 "You've Got to Hide Your Love Away," and the post-modern "Time After Time" by Cyndi Lauper.

Pete contributes vocals, bass, light percussion as well as distinctive jazz guitar. He wrote the upbeat title track as well as one other song on the disc, "The Golden Flower."

Doris's familiar voice and guitar take to these songs as easily as if they were her own. Along with a radio-friendly title from Sting, "Fields of Gold," she sings two by Mary Chapin Carpenter, "Jubilee," and "Goodbye Again" (not the expected John Denver song by that title, perhaps, that she might perform with Side by Side).

Listening to "Bright Paintings" is like running into a longtime friend unexpectedly. With this disc, Doris has a lot of news to share. Take time to listen to the music she and Pete have produced.

Never did I think when we remodeled our house a few years ago that we would be hearing live music in our family room. But it actually happened last night and it was quite an experience.

At last year’s World Folk Music Association concert we bid on a silent auction item featuring a “home” appearance of Side by Side – the duo of Doris Justis and Sean McGhee, never thinking we would win. We were surprised when Dick Cerri announced David Diskin to be the winner at the end of the marathon concert.

We finally got around to picking a date and inviting people. David’s theory was that only about half the people you invite actually come, so he invited A LOT OF PEOPLE. Well, they almost all said yes, so we had over 40 people for dinner and a house concert last night.

Dinner turned out not to be a big deal. We split up the alphabet and assigned salad, dessert, or beverage, depending on your last name. We made the (very easy) award-winning brisket, adding lots of carrots this time. Let me tell you, 20 pounds of brisket is a lot of brisket! Place settings and cutlery were Costco’s finest plastic. And best of all, we hired Angelina, the woman who cleans our house, to help.

The biggest challenge was how to fit 40+ people seated in our family room and still leave room for the musicians. After dinner, we had a quick makeover of the family room to move out a couch and the coffee table and set up numerous folding chairs.

At around 8:00 Doris and Sean started strumming and singing and the sound was fabulous. The songs ranged from Red Rubber Ball (The Circle 1966) to Runaway (Run-run-run-run-runaway) to Somewhere Over the Rainbow to songs they had written. People were clapping and humming and singing along and mostly just remembering where they had first heard each song.
At the end of the first set we took a break and had dessert and coffee (in styrofoam cups, which I said I would never use but I did). Then someone blinked the lights and we went back for the second set, which proved even better than the first.

In addition to the wonderful music, what made last night so special was the fact that we cared deeply for all the people who showed up – neighbors, work colleagues, Micah members, book club friends, even our PT Quentin and his friend.

My husband wondered this morning if the rest of our guests and the entertainers felt as amorous as we did after that evening of music. This is a house concert that might just become an annual event. Read another review.

 

The following is a review of my CD with Doris Justis published in Folk News, Vol. 20, No. 2, Summer 2005. Hey, I know it's slightly old news, but I'm in the process of migrating the content from dorisandpete.com over to this site and I didn't want to leave out any of the obligatory puff, plugs and ballyhoo.
Gee, you think you've got a singer all figured out and then she comes along with a whole new approach.

Doris teams with jazz guitarist Pete Marinovich for a dozen songs, many of them favorite covers from Doris's extensive experience as a vocalist.

In a style all their own, contemplative and, at times, surprising, the duo strolls through the history of pop music, opening with a lush [Springsteen] chesnut, "Dancing in the Dark," later lingering with the classic 1939 "Somewhere Over the Rainbow" by Harold Arlen, Lennon and McCartney's 1965 "You've Got to Hide Your Love Away," and the post-modern "Time After Time" by Cyndi Lauper.

Pete contributes vocals, bass, light percussion as well as distinctive jazz guitar. He wrote the upbeat title track as well as one other song on the disc, "The Golden Flower."

Doris's familiar voice and guitar take to these songs as easily as if they were her own. Along with a radio-friendly title from Sting, "Fields of Gold," she sings two by Mary Chapin Carpenter, "Jubilee," and "Goodbye Again" (not the expected John Denver song by that title, perhaps, that she might perform with Side by Side).

Listening to "Bright Paintings" is like running into a longtime friend unexpectedly. With this disc, Doris has a lot of news to share. Take time to listen to the music she and Pete have produced.